Paintings

Latest

“Unseen and Unimaginable” 36×47

Using straight lines to create curvature and volume. To represent the recklessness of going against natural forces.

L 10 Unseen and Unimaginable 36x47 web

“Transient Layers and a Quickening Pulse” 20×16

Painting draws you into the unknown where spirituality breathes.

c 101 Transient Layers and a Quicking Pulse 20x16 web

“Accumulation” 16×20

There are no perfect lines in nature.

Perfect lines are the idealization of the concept of no curvature and cannot exist in nature. They are figments of our imagination and reach for the unattainable. Lines as we represent them define our wonderful imperfections.c101 Accumulation 16x20 web

 

 

Studio Visit

A wonderful studio visit and write up by my friend Gary Brewer where we talked about work and my history and evolution into painting. Thank you Gary and artandcakela !

Studio visit with Bryan Ida. Thoughts on Origin Myths and Fate…

Movement, Fluid and Light

Art is not an object it is the inspiration to feel deeply

Instead of thinking about dominance and aggression I would like to think about humanity and the human condition.

 

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MAS Attack 13 at TAM

Mutual Appreciation Society will be having their final show at Torrance Art Museum. It’s a one night celebration of artist and art. Pease come down and join the fun.

6-9pm

332 Civic Center Drive, Torrance

mas-attack-13

The Billboard Creative

One of my pieces “Embarcadero” will be reproduced on a billboard at Western and Franklin for the month of December. I am excited to see if it scales up in a nice way. There is so much to learn about scaling and I am grateful for the opportunity. Thanks to The Billboard Creative for the space.

 

c 82 %22Embarcadero%22%22 39x65 web

http://www.thebillboardcreative.com/2016-bryan-ida

Bluerider Art Taipei, Taiwan

I am honored to be showing new work in a solo show at Bluerider Art in Taipei, Taiwan

Opens October 15th, 2016 , 4-6pm with an artist talk at 4:30

 

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“Remnants” 20×16

I am having an ongoing conversation in paint using the concept of layering and burying to explore the idea of recollection within a symbolic landscape. Like an archeologist that digs and reveals fragments of human history the layers represent the passage of time and the importance of memory.

Memory is the reduction and refinement of an original experience that has been enhanced with emotional content and value. These experiences identify with images that come to represent a place and time in our personal history. I try to collect and assemble the assortment of impressions and distill them to their essence and lay down the elements in form, composition, and color.

Within this broader conversation I am also exploring a second theme, which is the creation of a visual language that represents and redefines the word littoral. Littoral is defined as the zone where the land and sea come together. A meeting place of disparate worlds where opposites collide and interact. I explore this area looking at the affect of human intervention on what began as a natural landscape and I work to reformulate the word and expand it to include an alternate visual definition.

Burying ideas and images deep within the construct of a composition conveys a sense of connectivity as each layer interacts with the previous, but there also exist the feeling of disconnect and isolation that is congruous with the notion of urban life. It is this exploration of color, composition and light that entices and drives me.

c 99 %22Remnants%22 20x16 web

“In the Moment” 38×33

What is most compelling, I found the forms and images simplifying in the composition, giving the color fields a chance to interact and breathe.

 

c 96 %22In the Moment%22 38x33 web