“con.Text” reception at the de Saisset Museum
My ongoing show “con.Text”, featuring 18 ink on panel portraits, at the de Saisset Museum in Santa Clara will be having an outdoor reception Thursday, April 13, 2023 from 4-6 p.m.
There will be light refreshments outside on the lawns in front of the museum and you are welcome to take your time in the galleries.
The museum is located on the campus of Santa Clara University, 500 El Camino Real, Santa Clara, CA 95050 (408) 554-4528.
If you cannot make it mid week Thursday we have scheduled small group walk throughs with me on Friday April 14 and Saturday April 15 at 11:30 -12:15pm and 1-1:45pm. Due to capacity restrictions advanced registration is suggested and will open soon.
2 of the 18 pieces hanging in the show:
“Tiffany” is the granddaughter of Roy Sakasegawa who was drafted
into the U.S. army in August 1941 from Salinas CA four months before
Pearl Harbor. After the attack Roy’s family was incarcerated along with 120
thousand people of Japanese descent, 62% were American, in Poston
Arizona one of the 10 internment camps set up to house the internees.
Roy went on to serve in the 442nd Infantry division composed of Japanese
Americans who fought mostly in Europe. The 442nd Regiment is the most
decorated unit for its size in U.S. Military history. The unit earned more
than 18,000 awards including 21 Medal of Honor.
The text used to make the marks is Executive Order 9102 that
established the War Relocation Authority the agency responsible for the
forced relocation and internment of Japanese Americans during WWII.
Lorraine’s great grandfather first came to the United States in the
1850’s on a 30ft Sampan, a Chinese fishing vessel not designed to cross an
ocean. He landed in Mendocino County and immediately began work in
the lumber camps as a cook. After going to China in the late 1880’s he tried
to return to his family in California, but due to the Chinese Exclusion Act
of 1882 he had to pay to take the name of a citizen to be allowed back to
his family in California.
The text used to render the portrait is The Chinese Exclusion Act of
1882, which was the first and only law to prevent all members of a specific
ethnic group from immigrating to the United States. Many Americans on
the West Coast attributed declining wages and economic ills to Chinese
workers so Congress passed the Exclusion Act to placate worker demands
and assuage prevalent concerns about maintaining white “racial purity.”
Torrance Art Museum
It is my pleasure to have two pieces included in a show that marks the 50th Anniversary of the Sister-City program between the city of Kashiwa, Japan, and the city of Torrance.To celebrate this milestone Torrance Art Museum is presenting an exhibition of the myriad artistic talents of the Japanese American community based here in southern California. These diaspora artists reflect the complexity and diversity of art practices from those who share a dual legacy, inclusive of the cultures of both countries, to form unique composite expressions of culture.
The show is titled “Bridging the Pacific” and is curated by Max Presneill.
Opening reception January 28, 6-9pm
January 31 thru March 4th
Artists: Tetsuji Aono, Yumiko Glover, Kio Griffith, Clement Hanami, Bryan Ida, Ichiro Irie, Takeshi Kanemura, Wakana Kimura, Ibuki Kuramochi, Kaoru Mansour, Yoshie Sakai, Macha Suzuki, Misato Suzuki, Tomoaki Shibata, Miki Yokoyama
The Billboard Creative interview
As featured artist for the up coming The Billboard Creative show in February titled “We the People” I had the pleasure to do an interview with curator/fabulous photographer Mona Kuhn going in depth on the inspiration for the series and its meaning to me.
The show features a portrait of my friend Kio Griffith presented on a billboard located in front of Paramount Studios on Melrose Ave. There is an interactive map on The Billboard Creative website.The show will exhibit 30 artist work on billboards across LA.
Thank you Mona Kuhn for your support and kindness, The Billboard Creative for this wonderful show and Adam Santelli for all your hard work.
De Saisset Museum Show
I am honored to present 18 portraits from my “con.Text” series in a solo exhibition at the deSaisset Museum on the campus of Santa Clara University.
Thank you Lauren Baines and Christopher Sicat at the de Saisset Museum for all your hard work and efforts.
The show opens to the public January 24th – June 17th.
I will be showing a new portrait of my grandmother that I just finished that that is based on a photograph taken by Dorothea Lange.
There will be a reception and further programming announced at a later date.
21 x 24 acrylic on panel 2022
In my fading light series I depict endangered or threatened species as light fades to dark. The light and the dark represents the contrast between hope and despair
27×22 acrylic on panel
In my fading light series I depict endangered or threatened species as light fades to dark. The light and the dark represents the contrast between hope and despair.
“Mount Jade” 29 x 36
“Mt Jade” 29 x 39 acrylic on panel
I was commissioned to do a painting that was inspired by Mount Jade the largest mountain in Taiwan. I chose to depict the mountain and its lush beautiful environment in a piece that juxtaposes the two together.
“ Mt Jade” will be in a traveling exhibition that will tour 3 cities in Taiwan at the end of the year
“Leatherback Turtle” 21 x 19
Another from my fading light series that highlights endangered species.
Deep Dark blues and greens.
“Whooping Crane” 21 x 19
I have been healing from nerve damage in my right arm brought on by overwork. These are the first works in 5 months.
“Whooping Crane” 21×19
from the fading light series using deep deep darks
“Monarch” 20 x 26
From my Fading Light series highlighting endangered species.
“Monarch” 20 x 26 acrylic on panel
the dark background is a slow build of transparent glazes to eventually achieve darkness
This is a portrait of Devon. Devon’s grandparents bought a home in the Crenshaw District in 1950, a few years after their illegal imprisonment in the Rowher, Arkansas concentration camp during World War Two. Two years earlier, a portion of the 1913 Alien Land Law was overturned, which enabled Devon’s grandparents the right to buy their 11th Avenue house. Prior to 1948, their right to buy and own a home would have been compromised by the 1913 Alien Land law which disallowed anyone “ineligible to citizenship” from owning or leasing land in California. The Alien Land Laws were specifically tailored to restrict property rights for all Japanese living in California.
The marks that compose the portrait are the words from the Webb Haney Alien Act, which was the first Alien Land law from 1913. The second Alien land law came in 1920 and closed existing loopholes
I am honored that LA Metro/Metro Art commissioned this portrait to be included in their permanent collection. They have been featuring their collection in multi format programs across the county to their ridership.
They will be featuring the work in a show titled “We Are…Portraits of Metro Riders by Local Artists”. It will be on view in the Union Station Passage way Art Gallery and online at:
The show points out the diversity of the community of Metro riders and is presented by Metro Art in collaboration with Metro’s Office of Civil Rights, Racial Equality & Inclusion and the Communication Department.
“Devon” 34 x 27 ink on panel
“Orangutan” 24 x 72
Orangutan in its natural environment in Sumatra as it is being cut up and destroyed
“Maple Fall” 36×72
Three paintings to make one. Another in my environment series where I fracture the landscapes, cut them up and tear them apart, and reassemble them into an incomplete whole.
Gregory’s great, great, great, grandmother “Frankie” was sold into slavery at the Manchester Slave Docks in what is now Ancarrow’s Landing on the James River in Virginia in the 1840’s.
Slavery was first brought to America in 1619 in the colony of Virginia and grew into the 1700’s to become the dominant labor system on plantations.
During the 1660s Virginia adopted laws specifically designed to denigrate blacks. These laws banned interracial marriages and sexual relations and deprived blacks of property. The text is from four of those Laws from Virginia State Law”Gregory”
60×37 ink on panel
“con.Text” Write up in The Santa Clara
A nice write up by Claire Murphy in The Santa Clara following up on a show I did at the De Saisset Museum on the campus of Santa Clara University.
“Solitude” 48×36 acrylic on panel. I am working on a series of paintings that cuts, disassembles and reconstructs the natural landscape. I severe the landscape of trees and nature and place them one on top of each other, breaking their continuity, while bending and merging what remains. The juxtaposition of the two worlds reveals the struggle we face today with the future of our planet dependent on our ability to balance the increasing demand for resources and the needs of the natural world.
“Under the Brightest Moon” with video
I continue in the environment series with this piece and an accompanying video that delves into the artist statement
Video for “Sunset and Desire”
I recently finished this video that features a narrative explaining some of the concepts behind the painting
Another portrait of my father based on a photograph taken by Dorothea Lange as Japanese Americans on the West coast were gathered up and sent to prison during World War II.
The text is the California Alien Land Law of 1913 which targeted mostly Japanese farmers who were “aliens ineligible for citizenship” and prohibited them from owning agricultural land or possessing long-term leases over it.
Ink on panel 40″ x 34″, 2021
A continuation of my environment series that fractures landscapes and environments and attempts to reassemble them.
Feature in Metro Magazine
Wonderful cover feature article in Metro on the show “con.Text” up at the Japanese American Museum San Jose.
Thank you Katie Lauer for understanding the work and putting it into words.
Artist talk at the Japanese American Museum San Jose
If you missed the talk live, I introduce videos that cover three of the portraits hanging in the show at the museum:
Lisa was born with a condition called Arthrogryposis. It is a stiffness of the joints and small under developed muscles in the body and in her case it affected all four limbs. Doctors initially thought she would never walk, but by 3 years old she was walking. At school her mom had to petition for her to get into the classroom as there were no accommodations for children with special needs.
With the passage of the Rehabilitation act of 1973, which prohibited discrimination against those with disabilities in federally funded programs, Lisa’s school began providing services for the disabled.
The Americans with Disabilities Act of 1990 went further in reach to prohibit discrimination against those with disabilities.
The text is the 1927 U.S. Supreme Court case, Buck v. Bell, which set a legal precedent that states may sterilize inmates of public institutions. The court argued that imbecility, epilepsy, and feeblemindedness are hereditary, and that inmates should be prevented from passing these defects to the next generation.
“Lisa” 60 x 37 Ink on panel
My work is featured in “Psychological Perspectives the quarterly Journal of Jungian thought” in and article titled “Healing Cultural Divides: A Jungian Approach” by Jessie Thompson and Clifford Mayes where they explore basic Jungian ideas in the hope of healing the divisions that exist in this multicultural world.