I was drawn to music at an early age. Being musically inclined, I began playing French Horn as a child. I played in both the El Camino youth symphony and school orchestras.  Focusing upon my musical expression, I was continually seeking progressive techniques which lead to my interest in electronic music while in high school.  In my university studies at San Jose State and Sonoma State University, I went on to study electronic music composition.

In 1988 I then went to work for Sam Francis, the noted abstract expressionist painter.  A long standing and close friendship between myself and Sam’s children had been established early on in childhood. This trusted relationship with Sam’s family and close circle of friends would prove to be instrumental in the pivotal change of direction in my future.  Sam Francis invited me to work as his studio assistant in Palo Alto where he was painting a large commission, 20 ft by 40 ft mural,  for the new united government building in Bonn, Germany.  I would have the honor and unique experience of working side by side with this extraordinary artist on a daily basis. Sam would prove to be an important influence in my segue into painting, an incomparable mentor and a cherished friend to me over the years to come.

I felt priviledged to be in the studio while Sam worked. I vividly recall helping him with buckets of paint and painting tools, taking photographs and archiving this period in time. It was truly an expansive experience working for Sam.  Sam moved me down to Los Angeles into his big studio in Venice where I had free access to paint, paper and canvas. I started painting and writing less and less music. I picked up technical aspects of painting, and Sam’s sense of freedom and release while he painted and I was captivated by his love of pure pigment and his vibrant palette.

One thing I realized while working for Sam was that with music and painting the experience might be in a different sense but the expression is the same.  I turned fully to painting over 20 years ago and I felt then as I feel now that finally I found my place in the world. I am a painter and I love the daily challenge of working through problems of composition and palette and finding deeper meaning in the interaction of color and form as well as the constant flow of problems and challenges met with some form of resolution be it right or wrong.


George Billis Gallery , Los Angeles

2716 South La Cienega Blvd

Los Angeles, CA   90034

(310) 838-3685

Bluerider Art

10F No 25-1,

Sec 4 Ren’ai Road

Taipei City 106, Taiwan

+866 2 2752 2238

Bluerider Shanghai

133 Sichuan Middle Rd., Huangpu Dist., Shanghai

Art Dimensions

13636 Ventura Blvd.

Unit # 307

Sherman Oaks, CA 91423



Sonoma State University , Electronic Music composition 1984-86

San Jose State University , Electronic Music Composition 1986-89


The Santa Clara- Review,  May 2021

Metro San Jose- Review,  February 2021

Psychological Perspectives the Quarterly Journal of Jungian Thought  “Healing Cultural Divides: A Jungian Approach”   January 2021

Centerpoint Now, Commemorating the 75th anniversary of the United Nations  December 2020

Fabrik- February 2018

Diversions LA- Review, May 2017

Artscene- Cover and Review, May 2017

Art and Cake-Studio Visit, April 2017

LA Weekly  December 2016

The Creators Project  December 2016

Fraction   December 2016

The Art Newspaper, UK December 2016

Art Ltd. – Review November 2015

Falvorpill – August 2008

Artwork – October 2007

Ions Noetic Sciences review – September 2003

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